ＳＹＳＴＥＭＡ　４０周年記念企画　　（全館）

ART EXPO OSAKA

2016.6.21-6.26

海外作家５０名、国内作家５０名予定

Ｆ３０号以下、Ｓは２０号以下１点

ＰＡＲＴＹ　6.25　５ＰＭ　より

平日、日曜日　正午ー７ＰＭ

土曜日　３ＰＭ　より　８ＰＭ

搬入　１９日　午後３時より８時まで、２０日正午ー７ＰＭ

イタリア側の範裕は２０日に行います。

宅急便の場合は　１９日　３－８ＰＭまでに届くように願います。ヤマト、ゆうパック可能。返送は２８日にヤマト、ないしゆうパックにて着払い返送します。返送伝票、必ず、添付ください。

額装は不要、、ただし、つりさげ可能状態でお願いします。

ITALY & WORLD

Maristella Angeli 　Roberta Bizzarri　Marilena Bordin　Cettina Callari　Ester Campese - Campey Giuliano Cardellini　Roberto Carlocchia　Alessandra Casetta　Giacomo Cassetta　Nino Coco　Anna Maria Conti　Sandro De Angelis　Chiara Pala De Murtas　Catherine Ennis Breda　Daniela Ferrero　Franca Galleni Mihai Grosu　Aida Kchaou Khrouf Sara Wendy Oliva　Matilde Orsini - Regina 　Arnaldo Pauselli　Fra Giuseppe Pédica　Renato Restelli Hamida Sager　Donatella Saladino　Si.mon　Immacolata Zabatti　Riccardo Zancano　Laura Zilocchi Maria Zimari

JAPAN

KATSU iSHIDA,WAA KITAYABU,MIHO ISHIHARA,KUKIKO INOUE,HAKUSEKI IWAI,HISAKO OKOUCHI,KAZZ MORISHITA,KEIKO KITAYAMA,KANA IRINATSU TSUGUMI TANAKA,MICHIKO ODASHINICHI SAKAMOTO,MIWA NISHIMURA,KANONG HANAKIYUKI HARADA,SHOKO FUKUMOTO,TOSHIYUKI NAKAMURA,KUBO,NONOKA KISHI,SHUICHI NAKANO,SENNIN MAYA,JUN ISHIKAWA,YOCO HAMAYA、MICHIKO ODA,TAKUMI MATSUMOTO,NAOMI HARASAWA
STEFANO PERRONE,DERIEN THIBAU,OH YOO RAN,etc
abstract
TAKAHIRO TSUCHIHASHI,KYOKO TSUJITA,YOKO KONDO,SAYA YAMAGUCHI,KOJI MINAMI,ERI HIRAGA,TAKU IWASAKA, etc

平面

石田克、イシハラミホ、いのうえくきこ、岩井博石、大河内久子、ＫＡＺＺ　森下、北藪和、北山恵子、久保郁子、小田道子、坂本伸市、入夏佳奈、中野修一、西村美和、花水木かのん、原田有希、福元章子、岸野乃香、田中つぐみ、摩耶仙人　石川潤、中村敏幸、松本拓海、小田道子　ハラサワナオミ、yocohamaya,STEFANO PERRONE,DERIEN THIBAU,OH YOO RAN,etc他

立体

土橋　隆弘、辻田恭子、近藤　葉子、平賀　茉莉、岩坂　卓、北村　三彩、南　公二、山口　さや

SYSTEMA 40周年記念企画

SYSTEMA BIENNARE

2016.7.7-7.31

FORUM ARTS MUSEUM+MＵSEO TORICO di MONTESE+SYSTEMA GALLERY OSAKA

curated by katsu ishida

システマビエンナーレ　

２０１６.7。７－７．３１

venesage 7.7.from 5.30pm

イタリア、モンテ-ゼの３つの美術館とシステマギャラリーをつないで、、新しい形のビエンナーレ開催します。

実行委員　石田克　FABIO TEDESCHI

事務局　　青木千夏、南公二

協力新聞社　GAZZETTAdi MODENA,RESTO el CARLINO,PRIMA PASINA etc

選抜約２０名

SELECTION MEMBER

1 st selection

<photo> KAZZ MORISHITA,TSUGUMI TANAKA,KEIKO KITAYAMA,

<PAINT>

WAA KITAYABU,SHUICHI NAKANO,MIWA NISHIMURA,YUKI HARADA,SHOKO FUKUMOTO,NAOMI HARASAWA,HISAKO OKOCHI,STEFANO PERRONE,MIHO ISHIHARA,SHINICHI SAKAMOTO,

<ABSTRACT> KOJI MINAMI,NONOKA KISHI

2nd selection

第一次選抜　　1６名

＜ＦＯＴＯ＞KAZZ 森下、田中つぐみ、北山恵子

＜ＰＡＩＮＴ＞北藪和、中野修一、西村美和、原田有希、福元章子、ハラサワナオミ、大河内久子、stefano perrone,イシハラミホ　坂本伸市

＜立体ほか＞

南公二、岸野乃香、中村敏幸

第二次選考は、ＡＲＴ　ＥＸＰＯ　ＯＳＡＫＡ参加者より、選抜

DERIEN THIBAUT solo exhibition in osaka　　（ＮＥＲＯ）

2016.9.3（ＳＡＴ）-9.６（ＷＥＤ）

party 9.3 5PM より

土曜日　３ＰＭ-8ＰＭ

平日、日曜日　正午-７ＰＭ

パリフォト出店写真家、フランスのＤＥＲＩＥの日本初子典です。来日して、個展、システマギャラリーにて行います。

Thibaut Derien began to travel France a decade ago, deliberately avoiding major roads and outputs bordered by kilometers of garish signs, bland prefabricated buildings, uniform housing estates and head-spining roundabouts, that years of careless urban policies have emerged as the new aesthetic standards of suburban areas.
He was looking for the few small shops still standing around but abandoned, witnesses of an era, a trade, a taste of fashion. Small shops deserted, left to the vagaries of time. He has carefully selected among the many found on his way for the special emotion that emanated from them. They inspired him this ghost town watching helplessly entertaining impersonal shopping centers , there in the distance. Not so far.
These small shops populate Thibaut Derien’s ghost town, forming a cemetery, full of traces, remnants of a bygone era, swept by the industries, franchises and customers indifference bewitched by the sirens of mass consumption and temples of metal and cinder blocks. In this shops cemetery, the curtains are down, drawn, sealed doors, bricked windows. Storefronts suffocate within a strict framework, square, overshadowing everything else. Walker Evans and Eugène Atget, before him, had immortalized small businesses facing extinction with frontality. But Derien’s frontality is more extreme, cutting shops in their sole façade, excluding any depth of field, destroying the volumes likely to revive the bloodless ruins and silencing what made the particularity of these shops proximity: the social bond.

A pure frontality that blocks the view of the spectator and makes him feel violently the end. So we are surprised to think that after all these small shops are perhaps an illusion, film sets that painted facades would be supported by simple scaffolding. As if we would prefer to believe that it was just a dream. The optimistics ones would let their imagination wander. As the images keep the minimum frontal information, they also give a generic value and a kind of virginity to shops: thousands of stories could be written behind these desolate facades.
Forgotten the anxiety of the end and the empty, we are nevertheless charmed by the beauty of the lines, the words, the materials, the typographies, the openings and closings, the shapes and colors of all these shops. And from these empty, orphan windows, suddenly emerge emotion and even more, a certain vitality which should come from the past, one that surprises our imagination to invent.

Thibaut Derien belongs to a family of photographers who make documentary photography an art, the triviality of everyday life, a poem, and notice with alarm the changes in our society , its contemporary ugliness and its past splendor. His ghost town reveals the ruins of a society that no longer exists, forces us to face our responsibilities and reveals both the beauty that emerges from its rubble.